So, the iPad is here – massive Dom Joly iPhone? half a laptop? eReader? The Daily Prophet for Muggles…?

I read a couple of people on Twitter making claims that it was going to ‘kill books’. In response I tweeted this quote from Douglas Adams, which I got via Neil Gaiman:

“Nothing is as good at being a book as a book is.”

And commented that eBooks ≠ MP3s for written words.

So what’s the difference? Why are book-sellers in a different position to those who were in the business of selling music-in-bits-of-plastic that are now crapping themselves that their livelihood is vanishing?

Firstly, digitally downloadable music is the most malleable, useful format ever for music, and we lose nothing in the quality of experience by going that route. Sure, the quality of files sold on iTunes is lower than CD, but don’t forget that CDs are just containers for digital music – they’re overly large computer discs – and that the audio on them is of a quality deemed acceptable to all but the most audiophile of listeners. With digital downloads, there’s nothing to stop us upping the quality to the point where the changes are undetectable – 24bit, 96k files are probably about as good as you need to go before the changes are imperceptible. We can do that, and once the headphones are on, or the speakers are playing the music, the experience is the same as any other format for listening to recorded stereo (or in the case of DVD-A, 5.1) music. Nothing is lost, portability and positively variable quality is gained. If you want the experience of popping something flat and physical in a slot while listening, you can make a piece of toast at the same time.

eBooks are a whole different proposition – the act of reading requires us to continually look at the thing we’re reading from. That’s what reading is. Otherwise, it’s memorising, and the act of memorising requires us to read – or listen to – the words before we learn them.

So books and eBooks aren’t just a delivery mechanism – they are the stereo system as well as the record. They are carried around as part of the experience.

This isn’t to say that eBooks ‘aren’t as good as books’, just that they AREN’T books. They are a wholly different way to consume the written word, with all kinds of fun multimedia potential too, but also with all kinds of issues surrounding readability, shareability, discovery, portability, flexibility, the ability to scribble notes in the margins and the format for gifting.

Comparing once again with music – if I want to give someone a CD, it’s quite possible for me to record a digital file onto any kind of transferable media I like and pass it on without losing anything. The same can be done with an eBook, but it’s much tougher to transfer from eBook to book – the cost of printing a document of book length at home is not comparitive with the cost of dubbing a CD and printing a nice picture on it.

Readability is a huge issue – the Kindle gets round it by using ‘E ink’ or ‘virtual ink’, rendering it much easier on the eyes, but making the screen much less multi-purpose. As far as I know, no-one yet has done a hybrid E-ink/normal screen. So you have the variable use of an iPad-style screen with its eye-strain issues for longer documents, or the Kindle which is a one-trick pony, all be it a fairly brilliant one trick pony.

The Kindle is utilitarian – it does its one function very well, without too many concessions to pointless stylization. The iPad may well be used by a lot of people as an eReader, but the experience won’t be the same as reading a book, it won’t be any more portable than an individual book, won’t fit in your back pocket and even if it did, would break if you sat on it.

This isn’t an anti eBook rant – I love the idea of downloadable, sharable books, I love the idea of subscribable news, of blogs and newspapers and novels living side by side in harmony, like Stevie Wonder and Paul McCartney, but it’s worth considering the fundamental differences and why, as I said at the top, eBooks ≠ to MP3s for the written word.

….if you don’t believe you, go and download my eBook… for free!

Image by Melvinheng on Flickr, shared via a creative commons license.

This is not a post about the things that are wrong with our world. This is a post about how we make them right. Of course it is not exhaustive, and by no means is it intended to be a detailed and flawless solution, in fact it openly admits that fact, because that (you will see) it is the point.

This post is in reaction to many things, but particularly in reaction to the recent #3strikes debate, the actions of Secretary of State for Business, Innovation and Skills, and a recently circulated confirmed rumour that suggests the same minister may have his sights set on the leadership of the Labour party. This is not a party political post, and I do not intend to argue why one man’s leadership would be bad for Labour, instead I intend to suggest that what this man represents is an outdated vision of politics, a vision that is bad for our country, and bad for our democracy.

Our society (and although I will talk more generally, ‘our’ here refers to UK society) is governed. We have democratically elected governments who, on the whole, make decisions and enforce laws with the intention of bettering society. I do not believe that anyone gets involved in politics for any other reason but improving the society they live in. This is the desire of the BNP, just as much as it is the desire of mainstream parties, their vision of a ‘better’ society might be opposed to the majority, but that is why they are not in power. Largely speaking, the party in power is supposed to represent the majority vision of what a better society is, and then strive towards it.

I do not believe that is currently so. Leaving aside first past the post reform and candidate selection, we wholly and entirely do not currently live in a democracy. The power is very much not ‘with the people’.

The Story

When Labour came into power in 1997, it was to the tune of a wholly broken opposition. 18 years of Conservative government had systematically deconstructed all that was of society and replaced it with the ethics of individualism. This was very good for a few, and catastrophic for a many. The many had finally realised. Labour won with more than just promises to renew, however, they won with what was for the first time, politics as marketing. It wasn’t just slogans, it was shiny adverts, they weren’t just promoting the values of the party, they were selling the story of New Labour.

Something else very important happened in 1997. The death of Diana. Others have pointed out before me how this marked an important turning point, not in politics, but in the media. This was the media as story, news not as reporting events, but as representing emotions. The papers spoke as though they spoke for us as they ordered the Queen from Balmoral.

Labour was in power without a credible opposition, and suddenly the press felt powerful. They could move the Queen to action. And someone needed opposing. If it was ‘The Sun Wot Won It’, The Sun could also oppose it.

Story is a very hard thing to fight. It is much older than democracy, much older than society.

That was the beginning of the era of Spin. Labour had ridden into power on a narrative, and the mainstream media had assumed the role of opposition using the same. One proposed a story of a better society, the other claimed to represent the stories (wishes) of the people who lived in it.

You notice how neither of these groups are made up of ‘us’?

This is the politics that politicians such as Peter Mandelson, David Cameron and (yes, even) Boris Johnson represent. (Can you think of a better story than the bumbling fool made good?)

An Information Economy.

Spin is all about distribution. Spin is about controlling the narrative of politics; it is about packaging and marketing your version of events. Spin requires complete control of information.

Spin is not working. Our society has grown out of it. Our country has been made undemocratic because of it. Our politicians do not fear the people, they fear the press. The people do not trust their politicians because the press exposes the antiquated attitudes and secrecy within their ranks. However the Press only constructs an oppositional story, it does not deconstruct it. The press is also not run for anything but the benefit of sales. No matter how well standing the broadsheet, how ubiquitous the tabloid. The mainstream media choose their story, and then they spin their readers and politicians into it.

The internet opposes and undermines that.

We live in an information age. For better or worse that is something that must be accepted. There is a rival economy, and it consists of information, it is a world (democratically, one might say) built of a thousand individual narratives. No one claims to speak for others, if someone is championed, it is because one person had the words that echo with others’. In this context the politics of Peter Mandelson et al will not work. He is a clever man, and I hope clever enough to see that one voice, big business, Spin, the politics of ‘push’, are gone. This is the century of pull, this is the century that politics has to become mutual.

Wikipolitics.

Well, everything needs a title doesn’t it? (/a hashtag).

I have blogged before about how I don’t believe in apathy, but I do believe in disengagement. I believe that British politics is due a reformation. I believe that we can demand that. Are you bored of the tone of the Labour government? Do you really believe that a Tory one will be different? Are you looking for a protest vote? A voice? You will not currently find it at the ballots.

What is Wikipolitics?

It is a starting point. It takes the open-source ethic and applies it to government. I don’t propose that we edit policy documents. I do believe that parliament should be opened up, demystified, and the power taken back. How do we do this? We’ve already started, look at projects such as Louder, 38 degrees, look at the Trafigura backlash, the Iran election, the G20 protests.

We now live in a world where we construct our own media consumption, where we pull together, build our own stories. Politics and the mainstream media are clinging on to old methods of distribution and delivery.

Whilst still acknowledging that at least 2/3 of the world does not have access to the internet (the UK figure is something like 30%, with a further 7-8% only having narrowband access – source) and those who do are likely to be from more affluent, developed backgrounds, we also need to be aware that instant publishing and access to our own media channels is incredibly empowering.

We also need to pull ourselves out of the luxury of political disempowerment. It is our responsibility to be involved in politics. If it is not one with which we wish to be involved, then we need to change it.

Reformation, Reclamation.

We need to tell our parties: “Arm your backbenchers with Flips, with Audioboo, with simple wordpress websites. Open up. Work in real-time. And don’t be afraid. We know you are, we know you are worried that you will be criticised, pulled apart, but please remember that although it has not been so before, that is what we mean by democracy. That is the open-source ethic. Let us participate”.

This worked for Obama, he brought the US the highest election turnout in a century. But then he stopped. And that where it’s gone wrong. That’s when Murdoch took back over.

The mainstream media has characterised us as a pack of baying wolves. The politicians have been characterised as lying snakes and fat cats. 2/3 people believe they cannot affect decision making. Trafigura, Jan Moir, proves we can. How about we take that to the rest of politics? How about we build our own wiki-guide to how we want to be engaged with, how we want to ask questions of the policy makers, of the parties? How about we offer a route that bypasses the mainstream media – taking honest debate and mobile video on the campaign trail, introducing them to the modern realities outside the political bubble, having a conversation, rather than being delivered a speech. You may argue that there’s no point in participating in a broken system, but how else are people to know how to fix it?

Because this is important. As it currently stands it would take as many years to get women equal representation, as it would a snail to crawl the length of the Great Wall of China. As it currently stands we are bickering and buying our way to climate disaster. As it currently stands we live lifestyles of excess and complete unsustainability. And for all our excess, are we happy? Or are we to some degree living the lives and values that are sold to us – other peoples’ stories?

We are facing a hyper-connected, global village era, politics cannot continue to be its own island.

This is not a manifesto, it is a call to arms. And this is where I stop, because this is a story, too. It’s a story about us, but it’s still my version. We need to write an ending together. How can we open up the political process? What do we want to know? Do we think there should be more experts involved in policy making? Do we want to see cabinet meetings taking questions from Twitter? What tools can we offer? Comment. Engage. This is up to all of us. What can we build? (We have the technology). Go.

– Hannah Nicklin is a brightly coloured and basically nocturnal playwright, blogger, academic and geek. She normally lives over at hannahnicklin.com, and is @hannahnicklin on Twitter.

Since posting it, I’ve had lots of tweets from friends whose music is on it, so let’s start a directory of entries – post a link to your bandcamp page in the comments, with a little bit of info about you and your connection to me (just so it doesn’t become a music-spam-fest – there’s no special criteria for being included, other than some kind of link – twitter-friends, gig buddies, blog readers etc… all are fine ) and I’ll grab the embed code from your site and add it here, creating a little online shop

here are my 3 bandcamp albums so far:

and here are the first of the embeds from the comments:

(while all this has been going on, I’ve uploaded my first album to bandcamp as well: )

Why? Because she asked us to.

(*spoiler-alert* – it’s effing amazing)

And now you can pre-order the CD or download here – http://www.imogenheap.com/preorder/

"go buy her album, OK?"

I’m not sure it’s ever been ‘bad’ at all, to be honest… CD sales are declining, but digital music costs so much less to manufacture and distribute that the crossover point between lower sales but increased profits will hit eventually. Hard copies are still a desired way of ‘showing allegiance’ to a band, over just downloading. Merch is doing well, gigs are doing well, and the potential for new acts finding an audience without gambling a fortune is marvellous.

It also seems to me that the decline in bit torrent traffic for music may actually be that a lot of the early adoptors have filled in their catalogue with all the stuff they wanted to start with… Anyone wanting to ‘replace’ their vinyl collection may well have downloaded gigabytes if not terabytes of music to get all the Led Zep, Queen, MJ, Abba and Beatles they ever need – check out last.fm’s charts for more on how much music listening is ‘legacy’ based…

So, there are a whole range of ways that people find music, replace music, download music, pay for music things. They’re all happening, it’s mostly good news, and we can stop worrying, yes?

“Each shirt has a hang-tag printed with a URL and a unique code allowing the purchaser to download the music from the album.“

So c’mon, other possible ways of releasing an album? Let’s brainstorm!

“Virgin and Universal have signed a deal that will give the ISP’s customers access to “unlimited” music.

For a monthly fee, Virgin’s broadband customers will be able to download or stream as many MP3 files as they want.

As part of the deal, Virgin has pledged to aggressively police usage to stop the MP3 tracks turning up on file-sharing networks. ”

http://news.bbc.co.uk/1/hi/technology/8100394.stm

So we pay a flat fee if we want to download music & that goes to the record company who, I’m sure, will pass it on to the musicians, presumably like subscription radio.

I can see a few problems with this, especially as artists are using the big companies less & partly because downloads aren’t exclusively saleable content but it might be a way forward.

David Lynch has suggested that the digital revolution will bring more freedom to the film and music industries.

The iconic director was speaking to The Guardian about his involvement in the controversial Dark Night Of The Soul project with Danger Mouse and Sparklehorse.

Lynch said: “Sometimes the house burns down and you build a new one. Because the world is so, so, completely backwards and absurd, people think it’s strange or an exception to have freedom to create something.

“It’s ridiculous. The exception should be that sometimes people do not have freedom. What went wrong?”

Danger Mouse said of the project: “The whole idea was to bring little bit more imagination back into music. I’ve missed a lot of that and when I was younger it seemed easier to do than it is now.”

http://www.digitalspy.co.uk/music/a160036/lynch-slams-music-film-industries.html